The body is the beginning and the end of the incision and the creation of appropriate clothing. And 'course, in some way, three of them (at least) three lines of the ladder or belt, and these are the line of the chest, life and fashion line. These lines refer to the extent to which people and if you think that the scope of these lines may very human lines or lines almost abstract. And these abstract lines are important in tailoring and cutting the pattern, but lines can be very human. ForFor example, one might wonder exactly where the waist. Life is important for the cutting of the model, because it is a guess, perhaps, that the body adapts to living closer to the chest, and then there is the need to control the content and shape of the head to the body. This refers, of course, especially for women, but also refers to men and in tailoring and pattern cutting in past centuries and in this century, is certainly important to do for a project to re: breastsValue life for men. This project is important and can be at the heart of the difference between the models of cut for coats and jackets for the cutting of the model.

Look at the row over the back of tailoring, and perhaps wondering if this line of action is really there. This is an important line, because it seems to be the most important fairs for the back. Measure across the back of a tailor, you can say, is the most important measure of the return. And see if the return is measured. This is aone might say, point above the forearm. This point relates to the forearm of a point on the hull, or at least an imaginary point. Refers to a certain point can say at one point back in the armpit, but the hull and is the highest point on the side seam. Here you are mixing tailoring / Terms of clothing with points on the body. To be precise, one may wonder what the nature of the side seams, but here we are just trying to measure across the back. However, it is again evident in a measure. One isthe goal of returning before the actions of this measure as lines below the waist and hips, and is the target, a picture of body shape or type of control, which is the creation of the jacket that need it.

You see the arm in his attitude, as a return, and therefore the person who puts his hand on his hips in half the usual pose on her hips. See how the arm bends back and ask if the word "curve" here or there, the word "backwards" is appropriate, because the arm is not really going back. Youyou could say that the upper back is about the adjustment of the shoulder, which enables representation of the arm to give significant support to the arm. Yet, what this means for cutting, sewing or model? If you search on the back of the body, it seems, which may provide a resting pose of the page is important. At least one installation where the proportion of his arm, puts her in an appropriate manner so that the arm can be considered capable of moving "back and it is obvious that the arm can wait ',' target for themselves or for a elementDirection, the direction in terms of being able to bend your elbows in toward life, while putting the arm itself means that the arm is inserted his arm and arm, at least to the elbow outward and then inward, course. And of course, one could say that the arm rotates in any way represent that particular page, or leaning leaning half.

The arm is so important to the body and, at least for tailoring, because if I may say so, which allows the body to offer a new way and the manner in which the arm moves seemhow the body can move and move this ability to adapt and adjust, and then move to the individual or body parts, sewing clothes and other essential equipment. And 'perhaps the most important kings, the effort and the reason why stretch fabrics have been introduced to accommodate this type of movement, not just those "normal" movement but the movement in sport and dance is disco, sportswear, etc.

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